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I've been painting a lot of small faces lately — because it's fun, good practice, and because I am such a slow painter these can be completed quickly by comparison! — follow along as I explain my process.

I love painting my niece's sweet face (this is the fourth time I've painted this image of her)! Before you begin any portrait, be sure you have an accurate drawing (trace or project your image if necessary) as you'll want to be able to paint freely.

Step One.

I work in many layers, sometimes up to ten or twelve, but for these miniature (5x5 inch) portraits I try to keep it to four or fewer. Don't forget to let the painting dry completely between glazes.

The image above depicts what I consider my first layer: After laying down a very light value on the flesh, I begin working on the features, followed by establishing shapes (and having fun with color) around the page.

Step Two.

Once the first layer is completely dry, I continue to sculpt the features and strengthen values as needed. Be sure to thoroughly mix your puddles of paint to keep everything smooth and transparent.

Step Three.

Additional layers build up value and create more form. Subsequent layers may neutralize but don't obliterate the varied layers below. Instead, they create harmony and glowing color!

I never worry if the flesh gets too purple (or yellow or red, etc.) because I know that I can correct the tone on the next layer.

"Summertime (study)"

I placed the finished piece Summertime (study) following step three so that you could more easily compare the layers.

Paint. Love. Repeat.

PS If you'd like to read more about my watercolor techniques in portraiture, simply click "Select Topic" above and choose "Portraits."